Here to announce that A Difference of 8 Protons: He-Ne-Ar-Fe was accepted into RED at the Cambridge Art Association. And two pieces from my Borders series is at the Arlington Center for the Arts for I’m New Here: Perspectives on Immigration.
Hi, everyone — One of my conceptual video icosacomposites has been selected to be in the PLACE(HOLDER) show at Gallery 263 in September. Greer Muldowney is the juror, she does some great photographic work, including a shared interest with wind turbines.
Here’s an update on my multilayer holographic composite project, with 26 new handwriting samples. As always, if you’d like to contribute, here are the directions.
One of the pieces in my show “A Difference of 8 Protons” up at Bromfield Gallery through the month of March is an ephemeral installation piece involving dry ice and glass. As a record of the piece, I have taken time-lapse videos of the installation at a few different angles and have them up in
I’d like to slip these photos in here, as a teaser for what’s coming up on March 4th: The full details are here:
Just in time for Turkey Day, two more composites from my Hyannis commute. Monday’s I shot from the back window, so it features the heating elements on the glass. In order, going, returning, combined: Today I tried to beat holiday traffic by leaving a little earlier, so the going composite has a lot of sunglare
This week I just went for a straight-ahead approach, and didn’t change the camera orientation between trips. This enabled me to get going, returning, and complete commute composites. Monday: An interesting effect to notice, because we’re back on Standard Time, the returning commute is now shifted substantially toward sunset, so the colors are much redder.
This week I decided to focus on my car’s side mirrors. I did the passenger side on Monday, and the driver’s side today. I did a normal shot going down to the Cape, and a close-up coming back. I’ll display these as pairs, with the wide shots together and the close-ups together. The passenger-side wide-angle
Two new composites of my commute to Cape Cod. The first: training the camera on myself as I drive through southern Massachusetts: It was warmer in the afternoon, so I took off my black wool coat. The second set concentrates on the instrument panel. You can see the speedometer and tachometer needles clustering at different