Here’s an update on my multilayer holographic composite project, with 26 new handwriting samples. As always, if you’d like to contribute, here are the directions.
One of the pieces in my show “A Difference of 8 Protons” up at Bromfield Gallery through the month of March is an ephemeral installation piece involving dry ice and glass. As a record of the piece, I have taken time-lapse videos of the installation at a few different angles and have them up in
I’d like to slip these photos in here, as a teaser for what’s coming up on March 4th: The full details are here:
This week was the last week of classes in Cape Cod. Monday’s commute was a broad view of the cabin (going, returning, full composite): And to celebrate the camera that made it all possible, Wednesday’s commute focused on the view in the mirror. The morning commute was zoomed, the afternoon was not. I didn’t even
Monday was a few days after my birthday, so I decided to do a full-on self-portrait for my commute. The result: a scarf-wearing Ted-blur. On Wednesday, I decided to do this driving commute like I did the original set of commutes back in 2011: wearing the camera around my neck as it ran the time-lapse
Just in time for Turkey Day, two more composites from my Hyannis commute. Monday’s I shot from the back window, so it features the heating elements on the glass. In order, going, returning, combined: Today I tried to beat holiday traffic by leaving a little earlier, so the going composite has a lot of sunglare
There was only one commute from the week of Veterans’ Day, so I ganged it up with this post. I decided to aim the camera at the roadbed for this one, with two levels of zoom, so it’s not quite as recognizable: Monday’s commute was a simple forward-facing shot, so I was able to get
This week I just went for a straight-ahead approach, and didn’t change the camera orientation between trips. This enabled me to get going, returning, and complete commute composites. Monday: An interesting effect to notice, because we’re back on Standard Time, the returning commute is now shifted substantially toward sunset, so the colors are much redder.
This week I decided to focus on my car’s side mirrors. I did the passenger side on Monday, and the driver’s side today. I did a normal shot going down to the Cape, and a close-up coming back. I’ll display these as pairs, with the wide shots together and the close-ups together. The passenger-side wide-angle