Three major landmarks in this selection of icosacomposites. While I was on the prowl, I couldn’t turn down the chance to deconstruct the conspicuous consumption of Rodeo Drive in Beverly Hills, especially the day after Christmas. And it didn’t disappoint. Look for high-end car wheels, fashion dress patterns and lots of shopping bags milling into a murky mass right in front of the Bvulgari store. I’m especially amused by how the diagonal crossing marks kind of stick up like stalagmites in the middle of the haze of tourism. Even weirder, no one seemed to care I was there shooting them.
Right after the Rodeo Drive shoot I went to Sunset Boulevard in West Hollywood to capture another landmark, the nightclub Whisky a Go Go. Back in the day, it was the place to see The Byrds, Alice Cooper, Buffalo Springfield, Smokestack Lightning, Love and The Doors. At this point in history, it looks like it’s mostly serving the nostalgia circuit– Lita Ford and The Motels– with reality TV taking a slice of the pie. This particular video is the complete opposite of the Beverly Hills video. There’s hardly any people on Sunset the day after Christmas, so this became more of an examination of lights, traffic, and eveningtime, with the nightclub simply as an anchor. Because of that, I only shot 40 minutes of footage, which makes this video only two minutes long. Notice that the two-minute compositing slice is in quasi-synchronization with the timing of the traffic lights. In other videos, the red-amber-green lights are diffused and weak as they flicker in and out of phase, but here they’re remarkably strong and brilliant.
Finally, we revisit Hollywood and Vine, with a different crop than before. I like the placement of the buildings better, and the central building has a lovely diffuse glow as the compositing makes the shadows soften. Unfortunately, I was almost done with the fourth section of footage when some rentacops from Andrews International drove up and gave me the stink-eye from their car, so in the interests of keeping a low profile I finished recording and then moved on. The back end of their car was caught on video, but, alas, their moment of fame is indistinguishable in the composite. Because I only got 40 minutes of footage, this video is also only two minutes long.