I have several pieces in the printmaking show “Unframed” curated by Joel Janowitz, who by the way does absolutely stunning monotypes. The opening is Friday, June 22 from 6-8pm. More info here (including a shot of one of my pieces): Brookline Arts Center.
Here’s a quick cellphone shot of my new letterpress piece, “The Sounds of English”: The gray line in the middle represents all of the sounds used in the English language as coded through the International Phonetic Alphabet. The top and bottom lines, the title of the piece in the IPA and in English orthography, are
Another fun thing that happened in January, we had a Friday seminar at the Bow & Arrow Press for Open Letters, a publication of the Graduate School of Design at Harvard. Ten students and the instructors came out and we put together some lovely prints using lead, linoleum and photopolymer.
Snapshot of the broadside I ran for the founding of the Seamus Heaney suite at the Adams House residence hall at Harvard. Heaney, an Irish poet, was a well-known guest at the House during the 80s and 90s, and his favorite suite is being outfitted in memory of his visits.
Got the new prints up on the Etsy shop. Plenty of other stuff on there, too, but here are the new items (click on the images to go to the shop):
While I was working on “Nominal Chinati” I whipped out some quick runs on the letterpress at the Bow & Arrow just for funsies. These will be posted on my Etsy site as soon as I get good images. One of my favorite wordsmiths, even though he “only” wrote noir mysteries. 8″x 10″, printed in
The last week I’ve been busy at work at the Bow & Arrow Press using our Charles Brand intaglio press to print an edition for inde | jacobs gallery in Marfa, TX. Some of my prints are listed here. The gallery is preparing to re-open after a long hiatus, and these prints will be available
Finally had the time to go sign and number the small shipping container prints. This series is all 13″ x 6.25″, printed in black on Lettra 220# fluorescent white paper. There are 40 members in the edition, and I’m reserving numbers 1-13 as complete sets. Click to embiggen on any one of these:
Today was a busy time at the Bow & Arrow Press, where I was not only running a four-color broadside for a poetry reading at Emory University, but also running editions of my long-waiting shipping container project. I pulled three sets of prints for the series, and each will be signed in an edition of
Today I taught an engraving/drypoint class, two Crash Courses and some Intermediate and Advanced students in the Bow & Arrow Press. I also took the opportunity to take some press time for myself, and got some artwork accomplished. First up, a type sample project I’d been preparing ever since I found a lead version of