Snapshot of the broadside I ran for the founding of the Seamus Heaney suite at the Adams House residence hall at Harvard. Heaney, an Irish poet, was a well-known guest at the House during the 80s and 90s, and his favorite suite is being outfitted in memory of his visits.
Today was a busy time at the Bow & Arrow Press, where I was not only running a four-color broadside for a poetry reading at Emory University, but also running editions of my long-waiting shipping container project. I pulled three sets of prints for the series, and each will be signed in an edition of
Tags: Adams House | artist | artwork | Bow & Arrow | broadside | conceptual | Cosco | Emory | geometry | Hanjin | infrastructure | letterpress | Maersk | mindhue | ollier | poetry | printmaking | shapes | shipping containers
I wrote about my Standard Deviations project a while back, and finally photographed them nicely so I could present them as a series. I’ll be editioning each one individually, and also in 13 sets of 5. Here they are in order:
In honor of the Post-Art Poets (@postartpoets), whose motto is THE TIMELINE OF ART HISTORY MUST BE ABANDONED IN THE NAME OF PROGRESS, I have interpreted their logo as its own form of machine poetry, reproduced below in both full representation and as edited to retain all English text letters. Full Poem: PNG IHDRkXTPLTEttXX// ]],,ggTTAA<<qqhh”EE66YYJJbb22rr33DD–44yySS[[iillzz::**FF__