On a lark I did some animation silliness today. The typical explanation for the taijitu, or the yin-yang symbol ( ☯ ), mentions how dark and light are intertwined, one leads to the other in a symbiotic wax-and-wane cycle, and one contains the seed of the other inside. Well, said I, I wonder what this wax-and-wane cycle would look like if the taijitu was rotating and you took the average grayscale value of the portion of the symbol passing at the zenith part. Who wouldn’t wonder that?
To make that more obvious, I’ve prepared this anigif, which contains three parts: a rotating taijitu, a cropping of the topmost sliver of the symbol from the centerpoint up (indicated by the red box in the first part), and the average grayscale value of that sliver:
So, basically, as the Wheel of Earth and Heaven rolls ponderously around, there are alternating times of lightness, darkness and shades in-between. I will leave you with a stand-alone gif of this interplay for your own amusement (caution: may not be synced with the above animation):
Working again with the concept of averaging things to see what results, I’ve pulled up a project from years past and figured out a way to make a physical manifestation. In this case, I’m averaging flags, specifically, the flags of the nations that make up the United Nations Security Council for 2015. Here’s the base image that I prepared for inkjet output on canvas:
Each rectangle represents the average color of the flag of that nation. There are quite a few maroony-pink flags here, because red-white-and-blue is a common selection for flag colors.
Went to the opening of the “Community of Artists” show at the Danforth in Framingham, MA this evening. My needlework rivers were up and looking good. Check the show out over the next month or so, it’s got some good stuff in it.
Looking through all my posts, I realized I’d posted a whole bunch of the time-lapse walks and various other walks, but not any earlier walks. How silly of me! Let me post a quick gallery of the walks I’ve done in the past. Here are the Field Walks, which I performed using 300′ of nylon rope in a nearby football field and on the beach in Provincetown.
Thought I’d post the nice cover graphic for a new show I’ll be in this summer:
Come on down to the Danforth Museum in Framingham, Massachusetts to see my needlepoint rivers being exhibited as a group! Here’s additional information on the show:
The end of another semester, one started out with a rash of missed classes because of crazy winter weather, but slowly managed to unfold into a pretty successful time, if stressful. So to celebrate the end, and to enjoy a nice clean press room thanks to my Extension School students, I ran a couple of projects, both of which had been simmering on the back burner for some time.
The first is the print “Fovea”. This is a three-color letterpress piece done on Lettra 220#. A fovea is the central portion of the human retina, where the photoreceptors crowd very close together to give you detail color vision. This is a representation of the pattern of color-sensitive cones as they cluster in the fovea:
The last week I’ve been busy at work at the Bow & Arrow Press using our Charles Brand intaglio press to print an edition for inde | jacobs gallery in Marfa, TX. Some of my prints are listed here. The gallery is preparing to re-open after a long hiatus, and these prints will be available at the “soft opening” the day after Christmas.
The print, called “Nominal Chinati”, is an homage to three pieces, one by Judd and two by Flavin. It’s a shaped-plate relief print cut with a laser into 0.050″ aluminum, and rolled with Daniel Smith relief ink. There will be 45 members in the edition, and perhaps three Artist Proofs and one Press Proof.
Here’s a shot of the inking setup:
Well, it took me longer than expected to cap off the residency posts with some shots of the closing reception, but better late than never. Here are some lovely images shot during the closing by Rebecca Philio, who has shot several receptions for the Nave Gallery through the years.
Myself and Jesa Damora at the refreshment table as things start. The three rope river, catenary experiments, needlepoint rivers, tetrahedral shapes and some agitated catenary prints are visible here.
Not really a true work day, just a quick organization day to prepare for the closing reception tomorrow evening. I threw out trash, rationalized the box situation for later packing, put away cameras, pens and pencils, and collected stuff to take home tomorrow morning. Once everything was tidied up, I set out a TV and DVD player so I can show a montage of my random pixel creations, and did some quick final setups:
The final color Random Pixel Object.
Something of a disjointed day today, various errands and weather-related interruptions had me going back three separate times. However, I did get stuff done. One of which was a shot of the Pixel Earth-Moon System with my nice Canon camera; I had tried before but the auto-focus didn’t quite figure out what to focus on, so every shot was blurry. Hitherto:
This, of course, is the Earth and the Moon, to scale in pixel form, with the distance between them also to scale.