Nave Residency Day 11

Data Representation, Residency, Scientific Exploration

Something of a disjointed day today, various errands and weather-related interruptions had me going back three separate times. However, I did get stuff done. One of which was a  shot of the Pixel Earth-Moon System with my nice Canon camera; I had tried before but the auto-focus didn’t quite figure out what to focus on, so every shot was blurry. Hitherto:

Pixel-Earth-Moon-System

This, of course, is the Earth and the Moon, to scale in pixel form, with the distance between them also to scale.

Nave Residency Day 10

Graphic Geography, Random Processes, Residency, Scientific Exploration

I finally got back to the gallery yesterday, but I was at the Bow & Arrow Press for Open Press Night afterward, so I didn’t get to process things until now. A big portion of yesterday’s work was 100 Random Pixel time-lapse videos, which I present here:

Time-Lapse 09 uses the same rules as the earlier ones, but 10 and after uses a different rule for dealing with obstructing pixels: instead of skipping over the obstructing pixels until a free space is reached, I now simply stack the new pixel on the obstructing pixel so that a three-dimensional form is created.

I also shot frames for a panorama of the two-tributary rope river from last time, and then constructed a three-tributary rope river with the last length of rope I had available:

Upper-Tributaries 3-Rope-River

I also shot a lot of portfolio images of the needlepoint rivers, as I had them on the wall for my artist’s talk last Sunday. Finally, I got out the ball chain I’d ordered just before I started the residency, and began experimenting with catenary curves.

Catenaries

This is the simple construction I made using the steel chain suspended on the hooks attached between the two lally columns in the gallery. I’m not entirely sure what’s going to happen with those, but we shall see.

After that experiment, I upended a desk and used the legs and cross supports to string the copper chain in various intersecting catenaries. I then started my camera shooting once every three seconds, and began agitating the chain. Below are some of the more interesting images, some with a touch of Photoshopping, some without. Further experimentation is definitely in the cards.

Finally, I’ll leave you with a lovely little curve from the steel suspensions that I shot on a whim:

Catenary-Intersection