Got a new print done at the Bow & Arrow Press. This one is called Path of the MER-A Rover “Spirit” and represents the 6-year lifetime of the Spirit rover on Mars as it skirted craters and made its way to the Columbia Hills. The craters on the plains are printed in PANTONE warm Red and the Columbia Hills massif is printed in PANTONE 153 on Lettra 220# letterpress paper. The path of the rover (highlighted in this photograph, taken with the print oriented to an oblique light source) is embossed without ink.
The paper size is 9.75″ x 8.25″, the edition size is 40 and they are available for sale.
The end of another semester, one started out with a rash of missed classes because of crazy winter weather, but slowly managed to unfold into a pretty successful time, if stressful. So to celebrate the end, and to enjoy a nice clean press room thanks to my Extension School students, I ran a couple of projects, both of which had been simmering on the back burner for some time.
The first is the print “Fovea”. This is a three-color letterpress piece done on Lettra 220#. A fovea is the central portion of the human retina, where the photoreceptors crowd very close together to give you detail color vision. This is a representation of the pattern of color-sensitive cones as they cluster in the fovea:
Here’s a quick cellphone shot of my new letterpress piece, “The Sounds of English”:
The gray line in the middle represents all of the sounds used in the English language as coded through the International Phonetic Alphabet. The top and bottom lines, the title of the piece in the IPA and in English orthography, are supposed to be 342 green, but the color didn’t really come through. The 26 letters we use in the alphabet that may or may not correspond to any particular speech sound are embossed behind the IPA symbols, but that particular detail is even harder to see here.
I’ll edition these on Sunday, and will get a better shot then, but I figured I’d post this now.
Another fun thing that happened in January, we had a Friday seminar at the Bow & Arrow Press for Open Letters, a publication of the Graduate School of Design at Harvard. Ten students and the instructors came out and we put together some lovely prints using lead, linoleum and photopolymer.
Snapshot of the broadside I ran for the founding of the Seamus Heaney suite at the Adams House residence hall at Harvard. Heaney, an Irish poet, was a well-known guest at the House during the 80s and 90s, and his favorite suite is being outfitted in memory of his visits.
Last night was the last Open Press Night at the Bow & Arrow Press for the fall semester, so I brought in a fun new fisheye attachment for my cellphone camera and took some shots.
Got the new prints up on the Etsy shop. Plenty of other stuff on there, too, but here are the new items (click on the images to go to the shop):
While I was working on “Nominal Chinati” I whipped out some quick runs on the letterpress at the Bow & Arrow just for funsies. These will be posted on my Etsy site as soon as I get good images.
One of my favorite wordsmiths, even though he “only” wrote noir mysteries. 8″x 10″, printed in a mix of Standard Italic 30 pt and 18 pt.
The last week I’ve been busy at work at the Bow & Arrow Press using our Charles Brand intaglio press to print an edition for inde | jacobs gallery in Marfa, TX. Some of my prints are listed here. The gallery is preparing to re-open after a long hiatus, and these prints will be available at the “soft opening” the day after Christmas.
The print, called “Nominal Chinati”, is an homage to three pieces, one by Judd and two by Flavin. It’s a shaped-plate relief print cut with a laser into 0.050″ aluminum, and rolled with Daniel Smith relief ink. There will be 45 members in the edition, and perhaps three Artist Proofs and one Press Proof.
Here’s a shot of the inking setup: