Here’s a quick cellphone shot of my new letterpress piece, “The Sounds of English”: The gray line in the middle represents all of the sounds used in the English language as coded through the International Phonetic Alphabet. The top and bottom lines, the title of the piece in the IPA and in English orthography, are
Tag: Adams House
Another fun thing that happened in January, we had a Friday seminar at the Bow & Arrow Press for Open Letters, a publication of the Graduate School of Design at Harvard. Ten students and the instructors came out and we put together some lovely prints using lead, linoleum and photopolymer.
Snapshot of the broadside I ran for the founding of the Seamus Heaney suite at the Adams House residence hall at Harvard. Heaney, an Irish poet, was a well-known guest at the House during the 80s and 90s, and his favorite suite is being outfitted in memory of his visits.
Last night was the last Open Press Night at the Bow & Arrow Press for the fall semester, so I brought in a fun new fisheye attachment for my cellphone camera and took some shots.
Today was a busy time at the Bow & Arrow Press, where I was not only running a four-color broadside for a poetry reading at Emory University, but also running editions of my long-waiting shipping container project. I pulled three sets of prints for the series, and each will be signed in an edition of
Tags: Adams House | artist | artwork | Bow & Arrow | broadside | conceptual | Cosco | Emory | geometry | Hanjin | infrastructure | letterpress | Maersk | mindhue | ollier | poetry | printmaking | shapes | shipping containers
I posted about the first one back in the spring, and over the summer we did another one, and we have a third in the works. Here are some nice pictures of the first two, since I was taking shots of work at the Press this weekend.
Before and after class at the Bow & Arrow on Saturday I started messing around with my cubes of wood again. This time I started playing with four groups of four blocks, set roughly in lines, and used some graphite ink I’d mixed earlier in the month. I’m really pleased with the silvery color of
I wrote about my Standard Deviations project a while back, and finally photographed them nicely so I could present them as a series. I’ll be editioning each one individually, and also in 13 sets of 5. Here they are in order:
While posting about the Random Grid prints I realized I’d neglected to actually post about the first round of grid prints, done with the smaller cubes I’d had lying around from a project from several years back. So! This one, “Pixel Gradient”, was the very first one I ran, a proof-of-concept using a blue-to-purple split
Today I taught an engraving/drypoint class, two Crash Courses and some Intermediate and Advanced students in the Bow & Arrow Press. I also took the opportunity to take some press time for myself, and got some artwork accomplished. First up, a type sample project I’d been preparing ever since I found a lead version of
Tags: Adams House | Akzidenz Grotesk | artist | artwork | Bow & Arrow | geometry | Harvard | letterpress | mindhue | ollier | pixels | printmaking | random | split fountain | Standard | stream-of-consciousness | wooden cubes