Here’s a quick cellphone shot of my new letterpress piece, “The Sounds of English”:
The gray line in the middle represents all of the sounds used in the English language as coded through the International Phonetic Alphabet. The top and bottom lines, the title of the piece in the IPA and in English orthography, are supposed to be 342 green, but the color didn’t really come through. The 26 letters we use in the alphabet that may or may not correspond to any particular speech sound are embossed behind the IPA symbols, but that particular detail is even harder to see here.
I’ll edition these on Sunday, and will get a better shot then, but I figured I’d post this now.
Another fun thing that happened in January, we had a Friday seminar at the Bow & Arrow Press for Open Letters, a publication of the Graduate School of Design at Harvard. Ten students and the instructors came out and we put together some lovely prints using lead, linoleum and photopolymer.
Snapshot of the broadside I ran for the founding of the Seamus Heaney suite at the Adams House residence hall at Harvard. Heaney, an Irish poet, was a well-known guest at the House during the 80s and 90s, and his favorite suite is being outfitted in memory of his visits.
Last night was the last Open Press Night at the Bow & Arrow Press for the fall semester, so I brought in a fun new fisheye attachment for my cellphone camera and took some shots.
The show at the Gutman Library is up and available to see. Here’s a few images of the installation:
Got the new prints up on the Etsy shop. Plenty of other stuff on there, too, but here are the new items (click on the images to go to the shop):
While I was working on “Nominal Chinati” I whipped out some quick runs on the letterpress at the Bow & Arrow just for funsies. These will be posted on my Etsy site as soon as I get good images.
One of my favorite wordsmiths, even though he “only” wrote noir mysteries. 8″x 10″, printed in a mix of Standard Italic 30 pt and 18 pt.
The last week I’ve been busy at work at the Bow & Arrow Press using our Charles Brand intaglio press to print an edition for inde | jacobs gallery in Marfa, TX. Some of my prints are listed here. The gallery is preparing to re-open after a long hiatus, and these prints will be available at the “soft opening” the day after Christmas.
The print, called “Nominal Chinati”, is an homage to three pieces, one by Judd and two by Flavin. It’s a shaped-plate relief print cut with a laser into 0.050″ aluminum, and rolled with Daniel Smith relief ink. There will be 45 members in the edition, and perhaps three Artist Proofs and one Press Proof.
Here’s a shot of the inking setup:
Well, it took me longer than expected to cap off the residency posts with some shots of the closing reception, but better late than never. Here are some lovely images shot during the closing by Rebecca Philio, who has shot several receptions for the Nave Gallery through the years.
Myself and Jesa Damora at the refreshment table as things start. The three rope river, catenary experiments, needlepoint rivers, tetrahedral shapes and some agitated catenary prints are visible here.
Not really a true work day, just a quick organization day to prepare for the closing reception tomorrow evening. I threw out trash, rationalized the box situation for later packing, put away cameras, pens and pencils, and collected stuff to take home tomorrow morning. Once everything was tidied up, I set out a TV and DVD player so I can show a montage of my random pixel creations, and did some quick final setups:
The final color Random Pixel Object.